Category: Web3
The rise of Web3 and blockchain in all its forms — across NFTs, social tokens, and DAOs — has ushered a new wave of experimentation in the music industry, rethinking traditional approaches to music monetization and fan engagement. As a research community, we are especially interested in analyzing music NFT sales activity, designing tokenized community strategies for independent artists, and examining hybrid Web2/Web3 legal frameworks for music rights.
This project began as an effort to create a “simple” music NFT contract template, as a follow-up to our high-level research from Season 1 on issues facing the music/Web3 ecosystem. Our modular template guides the user through different paths based on their answers, and outputs a custom PDF file that they can then attach on- or off-chain to their NFT releases.
In this article, we aim to encapsulate the various strategies that music NFT platforms use to attract, onboard and retain their fans, collectors and artists in an increasingly competitive marketplace.
More than 30 online music and creator communities now self-identify as decentralized autonomous organizations (DAOs). Over the last two months, we interviewed more than 15 leaders from a wide range of music DAOs to gain perspective on possibilities for their respective organizations in this emerging framework, using Web3 tools and strategies unavailable to the traditional music industry. Ultimately, we found the leaders we spoke with viewed the concept of a DAO not as technical infrastructure, but rather as an abstract social signal to mobilize online communities. Their approach and perspective differed — sometimes vastly — from the token-focused or on-chain-dependent ethos common to many protocol-centric DAOs that came before them.
RAC DAO is the community of holders of independent electronic artist RAC’s eponymous social token, $RAC. In February 2022, he worked with HIFI Labs to launch a custom web portal known as “racOS” for his Web2 fans to claim $RAC tokens and access token-gated tracks and other exclusive content perks down the line. That same month, $RAC also became the first artist social token to be available on Coinbase Exchange.
Holly+ is an artist DAO, built around the eponymous machine-learning tool that allows anyone to clone the voice of experimental electronic artist Holly Herndon. At its heart, Holly+ hopes to use a combination of emerging technologies to decentralize creativity.
Good Karma Records (GKR) is a record label DAO founded by the artist Grady Lee. Since raising 20ETH from 76 backers in November 2021, GKR has distributed its $KARMA governance tokens and voted on their first artist signing, Daz Merchant.
Songcamp is a community founded by independent artist Matthew Chaim, with the goal of building more financially sustainable, decentralized infrastructure for like-minded artists to share their creative output and develop projects together. These projects are organized into “camps,” and one of these camps, the interactive musical storytelling and worldbuilding project Elektra, has transformed into a DAO.
Songcamp is a community founded by independent artist Matthew Chaim, with the goal of building more financially sustainable, decentralized infrastructure for like-minded artists to share their creative output and develop projects together. These projects are organized into “camps,” and one of these camps, the interactive musical storytelling and worldbuilding project Elektra, has transformed into a DAO.
Now that we’re easing our way into 2022, we thought now would be a good time to check in on how we’re feeling about the future of the music industry. Has the hype and excitement around tech trends in 2021 burned off — or has it morphed into something solid and sustainable?
Ampled is a digital cooperative building a paid membership platform that is 100% owned by its artists, workers and community. Founded in 2019 by a group of designers, software engineers and musicians, Ampled helps artists gain sustainable and predictable income in today’s streaming economy. The cooperative is currently incorporated as an LLC, and is evaluating a DAO structure as a means to give the organization more long-term financial sustainability.
Independent artist Jonathan Mann built SongADAO as an ownership and decision-making layer on top of his daily songwriting project Song A Day, which has been running for over 13 years.
Phlote is on a mission to create the most exciting music company on the internet, with a focus on using tokenomics and DAO infrastructure to redesign music curation, discovery and distribution.